Rabu, 28 Januari 2015

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Las coleccion NMS (National Medical Series) consta de obras de referencia en distintas especialidades que constituyen una revision exhaustiva para los estudiantes en la rotacion de medicina. Están completamente actualizadas y en un formato conciso y claro que permite un estudio rápido y una retención adecuada. Las preguntas tipo USMLE en cada capítulo y los casos de estudio al final del libro resultan de especial utilidad para la preparación de los exámenes al final de la rotación y del USMLE. Todos los capítulos han sido actualizados para responder mejor a las necesidades del estudiante de medicina de acuerdo con el Council on Medical Student Education in Pediatrics (COMSEP). Como novedad de esta edición cabe citar la colaboración de la doctora, profesora y directora de Medical Student Education del Departamento de Pediatría de la University of Connecticut School of Medicine. Los términos y conceptos clave están destacados en negrita. Su nuevo diseño interior, con ilustraciones adicionales, consigue un agradable efecto visual.

Para más información en los pedidos en España de libros en español, por favor contacte con: Wolters Kluwer Health Spain, Tel+ 34 93 344 4718

  • Sales Rank: #4885362 in Books
  • Published on: 2009-04-27
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 11.00" h x 8.50" w x .75" l, .0 pounds
  • Binding: Paperback
  • 480 pages

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Senin, 26 Januari 2015

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Praise for Chloe Caldwell:

"I read it a couple of months ago in one can't-put-it-down-even-though-it's-the-middle-of-the-night sitting. It's as intense and interesting and clear-hearted as they come."—Cheryl Strayed

"I'll read anything Chloe Caldwell writes. She's a rare bird: fearless, dark, prolific, unpretentious, and truly honest."—Elisa Albert

"Nothing's sexier than first love and first intimacies, and Caldwell's brave autobiographical tale twists the trope into a powerful story about unexpectedly falling in love with a woman and the discoveries, sexual and otherwise, that ensue."—Time Out New York

"The essays in this collection are as exuberant as they are sad. Her storytelling is as vulnerable as it is bombastic. These essays roll in gangsta, but wear freshly picked daisies in their hair."—Rookie Magazine

Flailing in jobs, failing at love, getting addicted and un-addicted to people, food, and drugs—I'll Tell You in Person is a disarmingly frank account of attempts at adulthood and all the less than perfect ways we get there. Caldwell has an unsparing knack for looking within and reporting back what's really there, rather than what she'd like you to see.

Chloe Caldwell is the author of the novella Women, and the essay collection Legs Get Led Astray. Her work has appeared in the Sun, Salon, VICE, Hobart, Nylon, the Rumpus, Men's Health, and LENNY, among others. She teaches personal essay and memoir writing in New York City and lives in Hudson.

  • Sales Rank: #30167 in Books
  • Published on: 2016-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .50" w x 5.20" l, .0 pounds
  • Binding: Paperback
  • 208 pages

Review
"Chloe Caldwell could easily be considered a veteran among millennial authors. Her forthright honesty and trademark“oversharing” have made her one of the most endearing and exciting writers of a generation." —Los Angeles Review of Books

"In short, ITYIP is the type of book that is tempting to describe as a bible for young women, but which, since it lacks any pomposity or self-seriousness, evades that type of classification. Rather, it feels more like a beautifully written set of field notes, a journal from the front lines of being a young woman, the kind of book that is impossible not to respond to and not to want to press into the hands of all your best friends, the ones that aren’t books." —Nylon

"I'll Tell You In Person is one of the best books I've read this year. I've always enjoyed Chloe Caldwell's personal essays, but there's so much emotional honesty here, such a command of word and self, that it pretty much knocked me on my ass, over and over again." —Lit Reactor

"Chloe Caldwell's I'll Tell You in Person is an intense collection of essays that astonishes with its self-awareness and keen storytelling." —Largehearted Boy

"It’s a fun, funny, heartbreaking book, one that also happens to be compulsively readable." —Electric Literature

“...I’ll Tell You in Person really does feel like an original and personal encounter with a singular individual, a conversation with an old friend you’re catching up with and don’t want to stop listening to.”—Electric Literature

"The job of the personal essayist is to make readers feel as if we know her… Something I’ve always appreciated about Caldwell is how she presents herself—in interviews, blog posts, and essays—as a passionate artist and at the same time, a person with daily stresses and obsessions." —Vol. 1 Brooklyn

"Chloe Caldwell is a force. A quirky writer who shares personal details of her life and describes them in a way that never feels like TMI, it’s the opposite. You want more, the result of a trustworthy narrator and a skilled storyteller." —Hippocampus Magazine

"Regardless of one’s capacity for adventure, Caldwell’s essays are destined to inspire within her reader a desire to fully embrace life in all of its guises." —NewPages

“Caldwell’s slender, new collection of essays, following Legs Get Led Astray
(2012), is built around formative moments from her twenties that will strike a chord with those who have struggled (or are struggling) to find firm footing as adults.” —Booklist

"If this isn't an encapsulation of twentysomething meandering, I don't know what is." —Village Voice

"Caldwell is deft at navigating questions of perspective, intimacy, and personal evolution, and her work is never less than fascinating." —Brooklyn

“She [Chloe] perfectly captures what it’s like to try to navigate your way through the traumatic first decade of adulthood.” —Publishers Weekly

"Her essays are still diaristic in tone—they’re unpretentious and personal—but she draws powerful conclusions about what it means to grow into a decisive, fully formed person, if such a thing is even possible." —Huffington Post

"Chloe Caldwell doesn't have a gimmick, just honesty, and a whole lot of it." —Village Voice

"As Caldwell relates her memories and struggles, misadventures and successes, readers will sympathize and see themselves in the vulnerable and flawed, yet ultimately charming narrator." —Allure

"Caldwell’s book ricochets between light and dark episodes from her 20s in New York City. Whether she’s acting up as the listless employee of a jewelry store on Bleecker or mourning the death of her new friend (writer Maggie Estep), Caldwell writes with astonishing clarity, self-awareness, and humor." —Brooklyn Magazine

“Caldwell’s voice is strong and funny, and this collection deals with everything from what it was like for her to define (or fail to define) her sexual identity, the scourge of acne, and what it’s like to have a celebrity friend.” —Nylon

"I’ll Tell You In Person chronicles young adulthood with aplomb. Though it can feel as if the reader is meant to recall her own adolescent calamities and stack them up for comparison, this collection isn’t some righteous manifesto. There is no moral to the story because, as seasoned writers know, stories don’t need morals." —Pank

"It takes both a fair amount of guts and a fine sense of craft to create the airy, breezy, cavalier persona who inhabits these essays." —Heavy Feather Weather

"Chloe Caldwell’s latest, I’ll Tell You in Person, is a love letter to anyone who has no idea what the hell she’s doing." —The Opiate

“Chloe Caldwell tells you all her secrets in a controlled mania so you can devour them in a more compulsive fashion. I couldn’t stop reading this book, and when I was finished I kept looking around to see where my awesome new friend went. She’s right in here, brimming with most excellent girldom, a commitment to experience that feels religious, a dedication to vulnerability that likewise radiates holy holy holy. I love this person’s life, and I love the way she writes about it—funny and blunt and chatty and truthful.” —Michelle Tea

“When she writes, a beautiful energy blazes off the page. This book kicked my ass, heart, and brain. It’s wildly entertaining and deeply loving. A heroic triumph in intrepid self-observation. A testament to the heights and depths the personal essay can reach. Chloe Caldwell shows how, in writing about ‘nothing,’ we can discover the everything. I am going to buy Women immediately.” —Emma Jane Unsworth

“Chloe Caldwell is a brilliant essayist; one moment you’re laughing your face off and in the next she rips out your heart. I found myself talking out loud to her pages (‘Yes, that happened to me!’ and ‘Wait, you did what?’). We’re in there, with her, the hoping and the hurting and the living. I’ll go back again and again to I’ll Tell You In Person. It’s about all of us.” —Megan Stielstra

“I read this book in two breathless days, and basically all I want to do now is eat macaroni and cheese, day drink rosé, and harmonize with Chloe Caldwell. I want to be her friend." —Samantha Irby

“Chloe Caldwell has written the ideal ‘female companion book’—meaning, while reading I’ll Tell You in Person, I felt like I had a female companion with me at all times. On the subway, I had my female companion. In my backpack, I had my female companion. On the sidewalk, I held tight to my female companion, and pedestrians would stare at her, so boldly yellow in my hands. Pretty soon my female companion took up residency in my head. She helped me process the world with sass, spite, sympathy, and wit. I don’t know what could be better than a book that allows you to be alone but to never feel lonely. I’ll Tell You in Person does this and more. It projects the most potent afterglow, and Caldwell is a writer beyond gifted and generous. She is like a sage.” —Heidi Julavits

“Chloe Caldwell writes with an emotional intensity that is insightful, heartfelt, and often hilarious. In her new essay collection, I’ll Tell You in Person, she perfectly captures what it’s like to try and navigate your way through the traumatic first decade of adulthood. It’s filled with a raw honesty and voyeuristic allure that’s utterly captivating.” —Powell’s Books

About the Author
Chloe Caldwell is the author of the novella Women, and the essay collection Legs Get Led Astray. Her work has appeared in The Sun, Salon, VICE, Hobart, Nylon, The Rumpus, and Men’s Health, among others. She teaches personal essay and memoir writing in New York City and lives in Hudson.

Most helpful customer reviews

6 of 7 people found the following review helpful.
Chloe Caldwell is my Miki Howald
By Lauren Grabowski
When I opened this book yesterday to read the introduction, I felt like a friend was confiding in me. That's because Caldwell's work is so personal, so intimate, her words read like the disclosure of secrets in a very relateable and approachable way. Her writing style is hilarious and evocative and observational. I often caught myself smirking at her humor and then a few minutes later grabbing a pen to underline a few sentences that gut punched me right in the feels.

I discovered Chloe Caldwell's books and essays online about a year and a half ago have been waiting for this collection of essays to be published and man, 'I'll Tell You In Person' is an intense pleasure to read. She is so damn self aware in "Prime Meats" & "The Hungry Ghost" and "Yodels" felt like I could have written it myself if I was anywhere near as good as Caldwell is as a writer.

She writes about her love relationships, a subject she embraces with the same depth and beauty that she does when she is writing about addiction, family, and friendship, and I just love this about Chloe Caldwell's work. Her writing in this collection is full circle lovely on so many levels. Reading this essay collection shows me on a deep level who she is as a sister, a daughter, a best friend, and a vulnerable woman letting go in a relationship.

If this is the first book you buy by Chloe Caldwell, get ready to fall in love and quickly buy her other books. If, like me, you've been waiting for this book to be published, be prepared to see the growth in her writing, her style, her existence.

0 of 0 people found the following review helpful.
Girl gone wild.
By Vincent S. Green
Wonderfully written and smart.

1 of 1 people found the following review helpful.
A YA Author Revisits Her Adventure Into Adulthood--(Emily Books)...
By missmickee/bookreview
"I'll Tell You in Person" is a perfect title for this quirky and fascinating book, is also a selection of Emily Books which specializes in publishing, sales, and the promotion of women's writing. Author Chloe Caldwell, now 30, recalled the decade of her 20's in these intimate confessional essays. In starting and stopping both college and various jobs, she worked in a jewelry store as a top salesperson, was befriended by a popular celebrity, visited and stayed with her brother in Berlin, and much more

On Martha's Vineyard, Caldwell participated in a writing residency workshop, though it wasn't clear if she was a teacher or student. There were many quotes from other writers that have inspired her own work, some seemed clichéd. Caldwell certainly has her critics, she has been accused of writing TMI. It is unsettling that anyone can google her name and read the online details she has openly divulged about her sex life. In embarrassment and shame, she has warned family members not to read parts of her books. Confessional writing often goes in that direction, and it is just as easy for readers to appreciate her truth, genuine honesty, and sense of humor.

* From the book... "Non-fiction tastes best with a bottle of Charles Shaw Cabernet!"... However, she is just as quick to remind her readers, despite making some very bad decisions while drinking (in her 20's) she no longer drinks alcohol. With a writer friend they discussed the subject of "crazy stories"-- that is, compelling stories that will be good and interesting in print. Unlike some of her friends, Caldwell explained she hasn't gone skydiving, been divorced, donated eggs, cut her wrists, or never had cancer or a baby. Instead, she wrote about sleeping on the floor at Penn Station, with no other place to go or stay when her ex-boyfriend didn't accept her call. * From the book... "As the cliché goes, I've always counted on either dying young or never dying at all. I've displaced my enormous anxiety onto dogs, electrical outlets, Mack trucks running me over, and, apparently essay collections."....

Caldwell's best writing wasn't about her inspiration from the essays of Miki Howland, but rather her friendship with NYC novelist Maggie Estep, who passed away February 13, 2014. "I'll Tell You in Person" is Caldwell's fourth book. ~ With thanks to the Seattle Public Library.

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Kamis, 22 Januari 2015

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Star Wars Jedi Apprentice Series set 1-10, by Jude Watson

  • Sales Rank: #851363 in Books
  • Published on: 1999
  • Binding: Paperback

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2 of 2 people found the following review helpful.
A nice begining reading set
By Debby Holda
This is a nice set of books for the young reader. 18 are in the set but for a start this is nice and you save some 40.00 on shipping!

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Rabu, 07 Januari 2015

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The Birth of Grafitti, by Jon Naar

The now global phenomenon of graffiti was first captured in Germany by a professional photographer, Jon Naar, in early 1973. The Faith of Graffiti, the first and most celebrated book about this controversial new art form, reproduced just over forty selections from the hundreds of photographs he took. Now more than one hundred thirty never-before-published pictures from that landmark body of work, together with a selection of key photographs from The Faith of Graffiti, are brought together in a book destined to become a classic in its own right. Presented full-frame, at high resolution, and with meticulous attention to the original color, this book brings to life the gritty, exciting Germany of the early 1970s and the raw visual power of early graffiti. These photographs recall a time when subway cars and tenement walls seemed to explode overnight into bursts of color and energy. Today these ephemeral works survive only in Naar's masterful photographs. Sacha Jenkins, an authority on graffiti's history, places these pictures within an emerging youth culture that now reaches into every corner of art, fashion, and entertainment.

  • Sales Rank: #1065069 in Books
  • Brand: Brand: Prestel
  • Published on: 2007-06-19
  • Released on: 2007-06-19
  • Original language: English
  • Number of items: 1
  • Dimensions: .61" h x 9.48" w x 7.88" l, 1.49 pounds
  • Binding: Paperback
  • 176 pages
Features
  • Used Book in Good Condition

Review
'The book is beautifully produced, with stunning photos and an authoritative introduction.''... a real treat for graffiti fans...''... an invaluable reference as well as a visual feast of great photography.'Total Tatoo, September 2007'... this book scores highly in the authenticity stakes...''The atmospheric shots... reveal a New York that's long gone...''...its simplicity and spontaneity (along with the massive afros) make you feel nostalgic for a more innocent time.'Grafik, August 2007

From the Inside Flap
Presented full-frame, at high resolution, and with meticulous attention to the original color, this book brings to life the gritty, exciting Germany of the early 1970s and the raw visual power of early graffiti.

About the Author

Jon Naar's work has appeared for more than four decades in publications including The New York Times Magazine, Vogue, Elle, and The London Times and has been exhibited at New York's Metropolitan Museum of Art and Museum of Modern Art. His books of photographs include The Faith of Graffiti and Getting the Picture.

Sacha Jenkins is the editorial director of Mass Appeal magazine and the co-author of ego trip's Book of Rap Lists and ego trip's Big Book of Racism.

Most helpful customer reviews

2 of 2 people found the following review helpful.
One of the BEST books on this topic.
By Maxim
I was a kid in those days, grew up in Washington Heights, and actually attended PS 192 (featured in several of the shots). These photos are awesome - they really captured the spirit of the times (at least how those times felt to me, an elementary school student).

Naar has done what David Plowden (check him out too!) has done for small town America. It is so hard to explain to people what NYC was like before the Disney Store came to 42nd Street, in the days when "everyone" was a renter, when Washington Heights still had many Jewish and Russian (they are moving back, by the way) immigrants, when getting on the "wrong" subway was a scary experience, before Donald Trump, pre-Starbucks, when Union Square was a sleazy area, etc.

So, as someone who lived then and there, I can say Naar has done a masterful job of presenting those "graffiti days" without sentimentality, glorification, or any other irrelevancies.

Wonderful job - I look forward to investigating more of his work!

18 of 18 people found the following review helpful.
In The Jungle of Cities
By Richard Behrens
Over a two week period in the winter of 1973, photographer Jon Naar and designer Mervyn Kurlansky journeyed about New York City, riding the subways, prowling the streets, scanning the walls of buildings to capture with a single lens reflex camera the growing phenomenon of inner city graffiti. A few dozen of these images, out of hundreds, was published as The Faith of Graffiti with an Introduction by Norman Mailer in 1974, and at the time the colorful and starkly beautiful images that appeared were current events. The controversial practice of graffiti writing was being hotly debated by the press and by politicians and was the bane of Mayor John Lindsay's administration. But Jon Naar's photographic approach to the tags and pieces that decorated the subway trains, buses and buildings of New York City was a work of photojournalism. He viewed his material with the eye of a true archivist, one who wanted to capture and document the growth of a phenomenon without judgment or politicizing. With Norman Mailer on board giving his own literary and artistic interpretation of graffiti, the book received great critical acclaim and became a classic in the genre, a much sought after photography book, but one that only contained a fraction of the images that Naar had assembled.
The Birth of Graffiti (Prestel Press, 2007) is Jon's first graffiti book in nearly 35 years and gives more reverence to his photographic art than Faith of Graffiti did. Limiting the text to a few short essays, the book emphasizes the images in a beautifully designed volume that presents many of the photographs uncropped and lovingly selected by the photographer.
What is stunning about The Birth of Graffiti, and indeed is inherent in the title of the book itself, is that many of these photographs have lain unpublished in protective storage for three and a half decades and are now important historical documents. What we are witnessing in these hauntingly beautiful images is a time locked period of history where New York City lay buried under a cosmetic layer of hieroglyphic writing that many praised as a powerful expression of the inner city imagination and others cursed as an urban blight at best and downright vandalism at worst. To anyone who lived in the city at that time, or even gazed with wide eyed fascination at the tags and pieces that decorated the buses, subway trains, storefronts and public monuments can approach this book with a sense of nostalgia and a memory of lost landscapes that once characterized New York.
Page after page brings us back to 1974 when New York was just a little less splashy than it is today, before Ronald Reagan, Donald Trump or Edward Koch, when it was still on a financial decline that in 1975-1976 almost brought it to bankruptcy. These photos show us a world that once was but is no more. Because graffiti was his subject, Jon Naar did not shoot around the tourist traps. We don't see Times Square or Lincoln Center or the grand brownstones of Brooklyn. Instead we are taken on a tour of forgotten walls and doorways, Spanish bodegas and tenement apartments, subway corridors and abandoned buildings, Harlem handball walls and Brooklyn boardwalks, the empty spaces of housing projects and school yards. If the graffiti was somehow airbrushed from these photos, they would still hold our fascination. They document the fine grained details of the landscape known by the few people who move through the images: the Spanish mother walking her daughter, the tired looking subway riders, the workers huddled in a doorway, a security guard taking a break by a utility exit. They go about their daily affairs with a fatigue and boredom that comes with any housing project or straphanger existence, walking past the urban sigils and tags and pieces and cryptic names and numbers as if they are just one more oppressive aspect of their city environment that they must endure from day to day.
But one must not neglect the writers themselves. When Naar and Kurlansky went off into the streets looking for graffiti, they had the good fortune of meeting, purely by chance, a gang of graffiti writers, young boys who ranged from ten to fourteen years old. Their group shot appear on the title page of The Birth of Graffiti and many more shots of them appear throughout, whether gathered together or posing separately in front of their tags. What I love about these shots is that rarely does Naar photograph them without some ghostly motion blur. These blurs give us a sense of the graffiti writer's energy who no doubt found it very difficult to stand still. As they write, the wall and the tag stays in clear focus while the writer is a whirling motion, connoting the artist in the instant moment of creation.
The writers were young, innocent, not the dangerous gang members that middle class New Yorkers feared were responsible for the defacements. They are multi-racial, black, white, Hispanic, mixed. They came out of their inner city neighborhoods via the subway, targeted the subway to "watch their names go by" and to carry their tags and their fame to the outer boroughs and beyond. In their lifetime, they would no doubt never be famous, never been known, always thought of as a statistic in some rich white writers sociological assessment of modern urban issues. But by putting their tags on a moving vehicle that will carry their names as far off as the northern Bronx, as far south as Sheephead's Bay, as far East as Jamaica Estates, they will be seen, their name will be known.
Jon Naar has given these artists expression, decades later, long after their names have been scrubbed from their surfaces, by showing these writers at work at the moment in history where they had seized the spotlight and forced us to recognize their existence. Like the Neolithic handprint that anthropologists found on an Australian cave wall, someone once spoke the words, "I am human. I was here. I am me. This is my name."

10 of 10 people found the following review helpful.
Birth of Graffiti: A culture at it's best.
By J.SON
Birth of Graffiti could easily have been titled Faith of Graffiti 2. It is basically Faith of Graffiti with added photos from Jon Naar's archives. Some of these photos such as a The Man 550 piece and marker tags on long extinct subway vending machines bring me back to the days before a slew of talking heads with erroneous sociological and psychological theories started writing books explaining our culture. Mr. Naar's photos are striking and capture graffiti in the transitional period between tagging (single hits) and piecing. Many of the writers documented quit before piecing became the fashion , but the emphasis they put on handwriting style is more formidable than the signatures most writers throw up today. I watched this movement from birth to death on the NYC subways and was lucky enough to participate in it. Although not as visually dynamic as the work that came later, this period fascinates me more than any other. I grew up seeing the names featured in Naar's photos, wanting to meet them and follow in their footsteps. We all owe Jon Naar a debt of thanks for preserving the roots of an ever-changing culture. The book is a must have for any old-timers who want to re-live their glory days and neophytes who want to learn who the real pioneers of the culture were.

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