Jumat, 29 November 2013

[B240.Ebook] PDF Download The Art of Making Fermented Sausages, by Stanley Marianski

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The Art of Making Fermented Sausages, by Stanley Marianski

The Art of Making Fermented Sausages, by Stanley Marianski



The Art of Making Fermented Sausages, by Stanley Marianski

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The Art of Making Fermented Sausages, by Stanley Marianski

The majority of books written on making sausages do not tackle the subject of fermented sausages at all. The topic is limited to a statement that this is an advanced field of sausage making which is not recommended for an amateur sausage maker. Well, the main reason for writing this book was that the authors did not share this opinion. On the contrary, they believed that any hobbyist could make wonderful salami at home, if he only knew how. Highly technical papers were published in Food Technology journals which unfortunately were written in very difficult terms. Thus the idea of bridging the technology gap that existed between Meat Science and the requirements of the typical hobbyist was born. With more information obtainable every day, and commercial starter cultures available to the public, there is little reason to abstain from making quality salamis at home, regardless of the climate and outside conditions.

  • Sales Rank: #35305 in Books
  • Brand: Brand: Bookmagic LLC
  • Published on: 2012-03-17
  • Released on: 2009-06-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .63" w x 6.00" l, .82 pounds
  • Binding: Paperback
  • 276 pages
Features
  • ISBN13: 9780982426715
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
There is both an art and a science to the making of fermented sausages. And both will be found within pages of Stanley and Adam Marianski's "The Art of Making Fermented Sausages", a 272-page compendium of illustrated, step-by-step instructions that will enable even the most novice culinary hobbyist with all the information the non-specialist general reader will need to produce quality meats that would grace any dining occasion with friends and family. Readers will learn how to control meat acidity and remove excess moisture; select proper temperatures for fermenting, smoking and drying; both understand and exercise effective control over fermentation process; choose appropriate starter cultures and make both traditional and fast-fermented products; select and operate the proper equipment, safety measures, and more. Of special note is extensive section featuring fifty-one fermented sausage recipes. A superbly organized, unique, and highly recommended addition to personal and professional culinary collections.- The Midwest Book Review

About the Author
Stanley Marianski is the author of eleven books which include topics on meat smoking, pickling and making alcoholic beverages. Stanley actively participates in many forums and conferences related to meat smoking; he is a regular participant of the Wedliny Domowe National Conference in Poland where purveyors of meat products get the opportunity to showcase their goods. His main objective in writing his books which always contain diagrams is to help the reader "understand the sausage making process" and then "create his own recipes." His passion for creating unique sausage blends have been handed down from generations and he looks forward to continue sharing this passion with sons who also co-authored most of his books.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Classic Marianski Brothers Sausage Book
By James Ellsworth
I have the 'Bookmagic' (2008) revised edition of 'The Art of Making Fermented Sausages, in addition to other sausage making books by the brothers.

Maybe the best way into reviewing this book is to ask 'who would/should buy it?' Any 'foodie' who is curious about where the pepperoni on their pizza came from will learn a lot about the whole class of 'fermented meat sausages.' The same goes for customers at local deli counters in mega-marts who are buying a range of salamis. 'Home-style' and commercial methods and chemicals are explained from the practical standpoint of which substance does what important thing in producing flavour while promoting food safety. 'Aspirational' (want-to, someday) sausage makers will find a usable, detailed guide to the equipment list that will be the major barrier to most of us in making fermented sausage at home. The 'easy' part of making fermented sausage is the chemistry--for practical purposes, the cure mixes and starter cultures so clearly explained by the authors. 'Meatheads'--meat fanatics--will definitely want this book on their shelves--for the (some) fifty classic recipes for fermented sausages, even including one or two from the Asian sausage kitchen. The emphasis in the recipe section is definitely European, northern and southern.

The book begins with a workmanlike 'history' of fermented meats. The brothers introduce 'New Concepts' including what we now know about controlling available water, pH, temperature and humidity to produce fermented sausage. We are introduced to 'more than we need to understand' material about types of bacteria, how they multiply and what controls that multiplication, color and flavour-forming reactions and the like. In chapter four, sausage makers will learn plenty about the two basic approaches to controlling bacteria while producing color and flavour: slow fermentation and fast fermentation. The 'liberating stuff' comes in chapter five, with a practical overview of 'starter cultures', the key to modern production at home or in the factory, of quality fermented sausages. The recipe section includes items I have never tasted, let alone made. Items I have made or tasted in artisanal production include: cervelat, chorizo, farmer sausage, Medwurst, Merguez, Braunschweiger and Summer Sausage. Well, I have also eaten Mortadella, plenty of Pepperoni, Genoa Salami, Salchichon and Thuringer sausages. A reader will have a very fine understanding of how each and every one of these sausages is made. The book abounds with helpful notes and technical tables, with source attribution for any true sausage maker who can make the equipment to venture into these subjects.

I must come back to the 'equipment list.' Home handymen will not have any problems in following the Marianski brothers' descriptions/photographs for converting a foam insulated cabinet (old refrigerator) to make a temperature/humidity-controlled tool/environment for home-aging cuts of beef, curing hams or for making a whole range of fermented sausage products. Having dedicated refrigerator space for long-term drying and curing of sausages is also stressed in the book. With fermented sausage products, control of temperature during every step of processing from 'breaking down' larger cuts of meat through grinding and on into fermentation is critical. Equally important, measuring pH (acid-base continuum) in the meat and controlling and measuring humidity (which needs to change at various stages of fermentation and drying) requires some simple and inexpensive instruments that will not be found around the house. Unfortunately, it does not seem that all of this equipment comes from the commercial marketplace in any affordable package sized for the 'home' sausage producer. If you want to make sausage and are handy, this is the book for you!

What makes this a Marianski Brothers' 'classic?' They are thorough but repetitive about processes and chemistry, as other reviewers have noted. If YOU get the point they are making, move on and glance over the same/similar material the next time it comes up. I feel the authors use repetition as a teaching tool. Above all, they aim to produce instructional books about their craft. In the end, all the 'chemistry' is 'nice to know' and you will be more comfortable with whatever you pick up about 'why' as well as 'how', but it comes down to using careful measurements of ingredients listed in their recipes and following recommended procedures. Our forefathers weren't food scientists either.

Find where you fit on my suggested continuum and, if you see yourself anywhere, you will want this book.

80 of 82 people found the following review helpful.
Needs an editor and a proofreader, but still a bargain
By Larbo
Like other recent books by the Marianski's this one is self-published, through Outskirts Press, and it clearly has not benefited from the services of a professional editor or proofreader. The book is littered with grammar mistakes, typographical errors, and odd locutions. The way the text is organized, they end up covering the same subjects from multiple angles, with the result that they repeat themselves over and over. Sometimes the organization simply seems haphazard, with "notes" appearing at the end of a section which could be more accurately labeled "afterthoughts." The information presented is clear and accurate; just don't expect a gripping read.

This book is definitely a useful addition for any other meathead out there wanting to try and make fermented sausages at home. As a book dedicated to this subject, they go deeper into the issues of chemistry, microbiology, sanitation, and equipment (for smoking, fermenting, and drying) that all affect the quality of the finished product. The second part contains 50 detailed recipes, with precise measurements in grams, so that even a relative newcomer to this craft can proceed with confidence. This book usefully bridges the gap between simpler cookbooks and advanced textbooks such as Fidel Toldrá's Handbook of Fermented Meat and Poultry (which sells for $200). At $20, even with all its faults on its head, this book is a bargain.

To read my full review, go to my website.

Update, 7/8/09: Just heard from Stanley Marianski that they have revised this book and it's coming out from a new publisher (Bookmagic). If you decide to buy, this is the edition you want-it has an index!

1 of 1 people found the following review helpful.
Love the "ART" provided by this book, I give it 10 Stars...
By Paul Schwimmer
Bought the book thinking yeah right...try to make salami in Peoria, AZ with our triple digit summer temperatures. When I received my books (i.e. also bought the Marianski's Meat Smoking Book too...), I can't seem to put either of them down. It's full of good down to earth information. My God, whoever gives this book less than 4 stars needs their head examined. It is so full of good information put together by a remarkable man and his sons. I mean think about it...this art of Salami making is thousands of years old, masked in mystery like an ancient guild, hidden away by those select few. The mystery is now solved and ready to be explored. The Art of Salami making is the most challenging, most time consuming "art" of sausage making. Like any art dealing with fermentation, especially meat. It requires dedication, discipline and a basic understanding of this natural process. The Marianski Family has my deepest respect, because they have written this book with a lot of dedication to the "ART." They have given me and you perhaps the opportunity to glimpse something beautiful and natural. A glimpse into the past, into the natural order of things, the way it is intended. Think of these men as having Doctorates in Practical Microbiology. This book is suitable for the Novice up through the Purist. Myself being an Engineer with 35 years in the work place find it fascinating reading. It is so detailed on just about every aspect of salami making, yet easy to read and understand. This book is suitable for those who are frugal and those with more money than brains. Most importantly, the Marianski's stress the safety aspects associated with this "Art." You're given the tools to deal with a food preparation process that could be very harmful if not followed explicitly. People at my work think I'm nuts, because I've always got my nose in this book. I've made Homebrew, wine, cheese, jerky, sausages and I have never read anything as detailed and understandable as this book. I can't wait to get started making salami with my sons and build some family traditions for my own legacy. If I could, I would give this book 10 stars. Good luck my friends in your art of making fermented sausages. And as a man once told me..."Relax, don't worry have a Homebrew" and I did.....

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Rabu, 20 November 2013

[S556.Ebook] Free Ebook L'Age d'or (BFI Film Classics), by Paul Hammond

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L'Age d'or (BFI Film Classics), by Paul Hammond

In one of the great collaborations of cinema history, L'age d'or united the geniuses of Luis Buñuel and Salvador Dali in the making of a uniquely savage blend of visual poetry and social criticism. One of the outstanding works of the Surrealist movement, L'Age d'or was banned and vilified for many years in many countries, becoming justly legendary for its subversive eroticism and its furious dissection of "civilized" values.
In a remarkable, intuitive reading of L'Age d'or, Paul Hammond interweaves a detailed account of the extraordinary circumstances of its production with a dazzling interpretation of its aesthetic and political nuances. At once authoritative and polemical, this is a study entirely in tune with its subject, a fitting accompaniment to one of the major landmarks of world cinema.

  • Sales Rank: #3118173 in Books
  • Published on: 1998-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .25" w x 5.25" l,
  • Binding: Paperback
  • 76 pages

Amazon.com Review
If you haven't seen L'Age D'or, you're missing out on one of the great classics of cinematic surrealism. Directed by the great Luis Buñuel and written by Buñuel and Salvador Dali, L'Age D'or is rife with nonsensical dialogue and bizarre, disjunctive images. In it, romantic lovers prostrate themselves before statues, Jesus appears as a monstrous hedonist, and the acts of copulation and defecation are linked. The film is alternately shocking, haunting, and outrageously funny.

Paul Hammond's guide to L'Age D'or is as twisty and elliptical as the film itself. As he walks us through its "plot," his enthusiastic and punning prose provides data about the making of the film, Buñuel and Dali's peculiar obsessions, the Freudian underpinnings of the work, and the meaning of its images, particularly of its chief metaphor, the scorpion. --Raphael Shargel

About the Author
Paul Hammond is a writer specializing in Surrealism and cinema. He is the author of Marvellous Melies, the compiler (with Ian Breakwell) of Seeing in the Dark: A Compendium of Cinemagoing and the editor of The Shadow and its Shadow: Surrealist Writing on the CInema. He lives in Barcelona.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A Book On Murdering (possible spoilers)
By A Customer
The murdering performed in L'age D'or is definitely rendered aesthetically in many forms. Among other forms, one could also dispute that L'age D'or attacks Freudian based ideas, which are depicted and utilized in the film with derision
Freudian theories were prominent during the reign of Surrealism. Andre Breton had become a leading student in the field of psychology, soon establishing Freudian ideals in the Surrealist manifesto. Among the psychological symbols presented in L'age D'or are: displacement of a phallus for Apollo's big toe, images of rod shaped objects hitting water, an anal-expulsive scene set in a lover's fantasy, a woman with a bandage on her finger, and a hand recklessly polishing bottles and kitchen utensils.
It is apparent that L'age D'or has represented Luis Bunuel's anti-clerical sentiments. In addition, the film rejects the notion of diplomacy for purposely shocking the viewer and offending those who cherish the concept of class society.
The film's structure is very fragmented but still possesses a linear narrative format. In this manner Bunuel had relinquished previous conventions to filmmaking and doubly attacks structure and the viewers preconceived principles for watching a film.
In L'ge D'or (or simply The Golden Age) Bunuel presents a tale of two lovers whose romantic sentiments and erotic activities are being thwarted by middle-class values and ideologies. In his autobiography, Bunuel described the lovers conflict as a l'amour fou, or an "impossible force that brings two people together and the subsequent impossibility of them ever becoming one."
Subsequently, the two lovers begin to share their emotions in bizarre ways: tumbling on chairs, biting fingers and toes, sucking profusely on inanimate objects.However, the turning point of the film presents the jealousy of the protagonist, when his amorist falls in love with a middle-class conductor. Thus L'age D'or then vociferates a cataclysm of emotions and subconscious imagery.
... Although incomprehensible to a majority, the climax of the film is intentionally ambiguous but metaphorically is another one of Bunuel scathing assault on organized religion.
Salvador Dali has proffered the idea that the images of Surrealism will set an abominable precedent on the ways we view reality. Likened to Dada, Surrealism had attacked the conventions of art by presenting nihilistic ideas to an audience accustomed with Fauvism and Cubist banalities.
Likewise, Surrealist artists have deconstructed the principles of art by exhibiting in their mediums the worlds of absurdism and the unconscious mind. By these aesthetic practices, our judgments of reality have been considerably altered and have now taken a new standpoint.
As a supplement to Dali's statement, Bunuel described Surrealist cinema as "a passionate call to murder." In relation to Bunuel's quotation, it is ostensible that the murdering performed in L'age D'or is directed at the hierocratic doctrines of the Roman Catholic Church and bourgeois values.
Bunuel had expressed his ambivalence for religious conviction by stating "Thank God I'm an atheist." By the same token, the film L'age D'or affirms a deep-seated indifference as well as an utter indignation for Roman Catholic dogma.
During the critical point of the film, Bunuel establishes his protagonist development where after being rejected by his would be lover, the character begins to ravish an immaculately set bedroom belonging to a bourgeois resident. Subsequently, the hero (or antihero) purposely deposits cherished objects out of the window.
Among these items are: an accumulation of pillow feathers, a christmas tree that is set ablaze, a live Roman Catholic bishop in full regalia, and a stuffed giraffe.
Among the aforementioned discarded objects, Bunuel clearly exemplifies his religious opinion most notably with the discarding of the Catholic bishop. In addition, one may argue that what the protagonist is doing is presumably related to Bunuel's own wish: a purging of oppressive theological icons.
In addition, one could say that the film is murdering the audience or viewer by displaying surrealistic pessimism and confounding imagery. Moreover, wide populations of viewers were doubly offended by the film blasphemous and utterly absurd ideas.
During the film's premier, a nationalistic Catholic organization known as The King's Henchman (who belonged to the Action Française of France) proceeded to throw bottles of ink and jars of acid onto the screen. This incident was precipitated due to the fact that L'age D'or presented a sequence where a religious sacrament was juxtaposed with a beautiful woman's leg.
But is this still shocking? Apparently not by today's standards
After leaving the screening, the group bombarded the theater's adjacent gallery and deliberately ruined the paintings of some renowned Surrealist artist, most notably Max Ernst, whose canvas bore huge slashes in it.

By this example, L'age D'or had an utmost affect on its audience, eventually becoming censored in several countries for several years ---even to this day it is rare to see a screening of this film.
In short, a Surrealist film like L'age D'or may shock or appall audiences with its use of absurd and blasphemous sequences and subject matter. Nevertheless, one can also acquire a new perspective on the societal values and class systems presented in the film.

1 of 1 people found the following review helpful.
Enlightening and playful diegesis of a provocative classic.
By darragh o'donoghue
When 'L'Age D'Or' was released in 1930, the few mainstream cinemas equipped with sound refused to show it. Its exhibition in a small art-house sparked vicious vandalism from right-wing groups; under pressure from the Parisian Chief of Police, the film was withdrawn and remained unseen for 50 years except for poor pirate copies. Raucously erotic, politically satirical and provocatively sacreligious, it is easy to see even today how this Surrealist masterpiece caused so much offence - laced with imagery sublimating onanism, famous scenes include the putrefaction of four bishops on a Mallorcan cliff-top; repeatedly frustrated erotic trysts; the gratuitous kicking of a dog and a blind war veteran; the cold-blooded shooting of a young boy by his father; a restaging of de Sade's infamous novel '120 Days of Sodom', with the murderous libertine Blangis played by Christ; and a crucifix nailed with women's scalps.
Paul Hammond's monograph is an indispensable gloss on this dense, allusive, but hilarious film. Although imbued with a Surrealist aesthetic - with creative input from the movement; cameos by Max Ernst, Paul Eluard and Velentine Penrose; the visual influence of Magritte and the narrative disruptions of Peret - Hammond shows how 'L'Age D'or' fundamentally engages with Bunuel's love for Hollywood, in particular the slapstick of Keaton and Langdon, the social comedies of Lubitsch and Stroheim, and the amour fou melodramas of Borzage, which he reworked, burlesqued and homaged (Bunuel despised the 'avant-garde' or 'art' film). He reinstates the important creative contribution of now-despised co-scenarist Salvador Dali, who provided many of the film's best gags and its running imagery, as well as its 'critical-paranoid' methodology - the pair's aim was to show 'reality's adjustment to the unconscious'. He brilliantly traces the film's equally remarkable production, and how its crises shaped 'L'Age D'Or''s aesthetic (for instance, unusable footage led Bunuel to use stock scientific film for the famous opening 'documentary' scorpion sequence). He explains the political, sexual and Freudian allusions scattered throughout, as well as the many in-jokes - much of the imagery is generated from word-play. His recreation of the amazing cultural milieu of which the film was a part, a Parisian world of intense culture, politics, sexuality, friendship and comically bourgeois family problems.
Although his tracing of the film is linear, Hammond rejects systematic analysis in favour of a 'delire d'interpretation', picking up clues from the imagery, film-making or background and wending many fascinating and original interpretive avenues. The reader should be warned however: Hammond assumes a lot of prior knowledge (you are expected to know who Peret and Brunius were, or what happened at the Saint-Pol-Roux dinner); while sentences such as the following are not uncommon: 'As well as functioning oneirically, 'L'Age D'Or' is a fine example of Shklovskian retardation'; 'In the end he toned down the galimatias, although the diegetic effect remains dyslexic'. Best have a dictionary and google handy!

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Nuevo manual de gastronomía molecular: el encuentro entre la ciencia y la cocina (Ciencia que ladra... serie Mayor) (Spanish Edition

Después del éxito del Manual de gastronomía molecular, presentamos este nuevo tomo del encuentro entre la ciencia y la cocina, donde la autora continúa develando, tenedor en mano, los secretos de los platos que preparamos a diario y las técnicas que la ciencia aporta a nuestras recetas. Mariana Koppmann demuestra una vez más que nuestras cocinas son verdaderos laboratorios de química, física y biología.

De entrada, lleva al extremo una de las verdades de la gastronomía al proponer que la comida no sólo entra por los ojos, sino por los cinco sentidos. Desentraña el funcionamiento de cada uno de ellos y explora las combinaciones de sensaciones cuando comemos, para aprovechar ese conocimiento en el diseño de los platos. Luego revela la ciencia oculta detrás de algunos fenómenos –los secretos de los vegetales de todos los colores (y cómo conservar el color durante la cocción) o los procesos que tienen lugar durante la fritura–, pasando por el fascinante método de la cocción al vacío, el supercongelamiento con nitrógeno líquido y las misteriosas esferificaciones, que permiten que sorprendamos a nuestros invitados con bolitas… de jugo de manzana. También nos enseña a perderle el miedo a una de las mayores innovaciones culinarias de los últimos años, como la utilización de aditivos, emulsionantes y gelificantes para lograr las más variadas texturas en los platos.

La seguridad e inocuidad alimentaria se han convertido en un tema central, y este nuevo manual aporta las claves para conocer los microorganismos que contaminan los productos a fin de instrumentar una higiene eficaz para combatirlos. Por si todo eso fuera poco, los apéndices resumen conceptos básicos de la química y la física de los alimentos, fundamentales para entender la ciencia de la cocina. Y lo mejor: todas las explicaciones están regadas con consejos prácticos y recetas de vanguardia.

Este Nuevo manual de gastronomía molecular nos ofrece ideas para deleitar a los comensales con globos de tomate, aires de salsa de soja o esféricos de naranja, y ser el centro de la fiesta al hablar de pectinas o cloroplastos. Mariana Koppmann nos lleva a la edad de los porqués y nos abre los ojos para cocinar mejor y, en el camino, volvernos científicos de la vida cotidiana. ¡Que lo disfruten!

  • Sales Rank: #847037 in eBooks
  • Published on: 2014-07-10
  • Released on: 2014-07-10
  • Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
super interesante
By Pablonso
Muy interesante para desmitificar la cocina molecular. Como quitarle mistica y entender que toda la Cocina es molecular y quimica pura

0 of 0 people found the following review helpful.
Four Stars
By Carlos R. Berruti
All ok!

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Selasa, 19 November 2013

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  • Sales Rank: #1410773 in Books
  • Published on: 2011-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 5.40" w x 8.60" l, 1.15 pounds
  • Binding: Perfect Paperback
  • 352 pages

Most helpful customer reviews

6 of 6 people found the following review helpful.
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By John
"Office Politics" is a major upgrade on a very good book by a similar name by the same author (now out of print). I have read both and this new version lays it out even better. The fact that the author has brought back a new, better version instead of just hanging it up is fantastic news for anyone who wants to get the real deal on what it takes to navigate the undercurrents of Corporate America (though I bet this applies in any country and nearly every organization). I also bought a copy for each of my children who are now entering the workforce fresh out of college.

I honestly believe that if I had read this book in my 20s rather than spending so many decades in a sort of naive bliss, I would have done much better in my career-- made more money, been better treated, had more enjoyment, would have been overall happier and more fulfilled. I am now in the twilight of my corporate career but the principles I learned in "Office Politics" are helping me now as I manage a graceful exit from a sinking company in order to go to the next stage in my life.

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Essential book
By Atlhammer
This book reflects exactly my experience in an eight-year stint with a major telecomm company. Resumes, big-picture, what do "I" want, goal, plan, budget, schedule. Wish I'd had this book at eighteen, glad I found it at fifty-three.

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By JT
I have been lucky enough to say I found the book at a young age-right out of college. I have read the book cover to cover twice and implemented the principles into my daily life, especially work life! I can say that the book has helped me increase my income 4 fold in 2 years by following the simple principles layed out in Office Politics. I didn't work extra hours, I didn't get a degree. What is even better about this book is that it helps clarify many aspects of life from friendships to work and even politics in Washington. Once you get an understanding of how politics works everything becomes clearer, like being legally blind and finally getting a pair of glasses. It allows you to see everything around you clearly and concisely.

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Sabtu, 16 November 2013

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Catholic Schools Textbook Project

This is the first volume of five books aimed at grades 6-9 to teach world history and geography. Produced with the absolute highest quality in design, color, illustrations, paper and bindings, this textbook project for Catholic schools employs the writing and editing talents of a group of highly qualified teachers, authors, editors and artists to present these magnificent texts.

Produced under the direction of general editor Dr. Rollin Lasseter of the University of Dallas, this volume covers world history and culture up through the Middle Ages, as well as developments in China, Japan, Russia, Europe, Africa and the Americas up to the mid 1800's. The lavish use of color photos, drawings and maps combined with the excellent writing make this volume and series the best available today. Illustrated.

  • Sales Rank: #99326 in Books
  • Brand: Ignatius Press
  • Published on: 2002-06-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 7.75" w x .75" l, 2.30 pounds
  • Binding: Hardcover
  • 360 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

19 of 19 people found the following review helpful.
All Ye Lands a wonderful history book for a Catholic homeschool.
By Rose
I am very impressed with this book.
The chapter that really impressed me is chapter two, pre-history. It is consise & logically presented. This is what scientists say. This is what our faith says. Then examples of why we believe this or that are given, though not in an us verses them or any kind of a debate format. Scientists are not made to look stupid & faith isn't presented as blind. This chapter is very well written. Critical thinking is needed by the reader but I would guess that homeschoolers using this book would have that.
The whole book teaches world cultures through the eyes of a Catholic.

5 of 24 people found the following review helpful.
Just as expected!
By Peace
The book was delivered extremely fast and was exactly as described. We would definitely purchase books from this seller again.

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  • Sales Rank: #82965 in Books
  • Published on: 2016-10-25
  • Released on: 2016-10-25
  • Original language: English
  • Dimensions: 8.50" h x .79" w x 5.31" l, .0 pounds
  • Binding: Paperback
  • 272 pages

About the Author
Reki Kawahara is an award winning author best known for his light novel series, Sword Art Online and Accel World.

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Jumat, 15 November 2013

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Algebra 1 Chapter 4 Resource Masters, by Glencoe/McGraw-Hill

  • Sales Rank: #712858 in Books
  • Published on: 2002
  • Binding: Paperback

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[V286.Ebook] Download Ebook Numerically Solving Polynomial Systems with Bertini (Software, Environments and Tools), by Daniel J. Bates, Jonathan D. Haunstein, Andrew

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Numerically Solving Polynomial Systems with Bertini (Software, Environments and Tools), by Daniel J. Bates, Jonathan D. Haunstein, Andrew

This book is a guide to concepts and practice in numerical algebraic geometry - the solution of systems of polynomial equations by numerical methods. The authors show how to apply the well-received and widely used open-source Bertini software package to compute solutions, including a detailed manual on syntax and usage options. The authors also maintain a complementary webpage where readers can find supplementary materials and Bertini input files.

Numerically Solving Polynomial Systems with Bertini approaches numerical algebraic geometry from a user's point of view with numerous examples of how Bertini is applicable to polynomial systems. It treats the fundamental task of solving a given polynomial system and describes the latest advances in the field, including algorithms for intersecting and projecting algebraic sets, methods for treating singular sets, the nascent field of real numerical algebraic geometry, and applications to large polynomial systems arising from differential equations.

Those who wish to solve polynomial systems can start gently by finding isolated solutions to small systems, advance rapidly to using algorithms for finding positive-dimensional solution sets (curves, surfaces, etc.), and learn how to use parallel computers on large problems. These techniques are of interest to engineers and scientists in fields where polynomial equations arise, including robotics, control theory, economics, physics, numerical PDEs, and computational chemistry.

Audience: The book is designed to serve the following audiences: scientists and engineers needing to quickly solve systems of polynomial equations to find all the isolated roots or, if desired, to find all the solution components of any dimension; engineers or scientists and senior undergraduate or beginning graduate students with a computational focus who have a knowledge of calculus, linear algebra, and undergraduate-level ODEs; and those with a more mathematical bent who wish to explore the underpinnings of the methods, delve into more technical details, and read descriptions of the latest developments.

Contents: List of Figures; Conventions; Preface; Part I: Isolated Systems; Chapter 1: Polynomial Systems; Chapter 2: Basic Polynomial Continuation; Chapter 3: Adaptive Precision and Endgames; Chapter 4: Projective Space; Chapter 5: Types of Homotopies; Chapter 6: Parameter Homotopies; Chapter 7: Advanced Topics about Isolated Solutions; Part II: Positive-Dimensional Solution Sets; Chapter 8: Positive-Dimensional Components; Chapter 9: Computing Witness Supersets; Chapter 10: The Numerical Irreducible Decomposition; Chapter 11: Advanced Topics about Positive-Dimensional Solution Sets; Part III: Further Algorithms and Applications; Chapter 12: Intersection; Chapter 13: Singular Sets; Chapter 14: Real Solutions; Chapter 15: Applications to Algebraic Geometry; Chapter 16: Projections of Algebraic Sets; Chapter 17: Big Polynomial Systems Arising from Differential Equations; Part IV: Bertini Users Manual; Appendix A: Bertini Quick Start Guide; Appendix B: Input Format; Appendix C: Calling Options; Appendix D: Output Files; Appendix E: Configuration Settings; Appendix F: Tips and Tricks; Appendix G: Parallel Computing; Appendix H: Related Software; Bibliography; Software Index; Subject Index.

  • Sales Rank: #2446439 in Books
  • Published on: 2013-11-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 7.00" w x .75" l, .0 pounds
  • Binding: Paperback
  • 372 pages

About the Author
Daniel J. Bates is an Assistant Professor of Mathematics at Colorado State University. He is a member of the American Mathematical Society (AMS) and SIAM.

Jonathan D. Hauenstein is an Assistant Professor of Mathematics at North Carolina State University. He is a member of the American Mathematical Society (AMS) and SIAM.

Andrew J. Sommese is the Vincent J. and Annamarie Micus Duncan Professor of Mathematics at the University of Notre Dame in the Department of Applied and Computational Mathematics and Statistics. He is a Fellow of the American Mathematics Society and SIAM.

Charles W. Wampler is a Technical Fellow at the General Motors Research and Development Center in Warren, Michigan. He is also an Adjunct Professor at the University of Notre Dame in the Department of Applied and Compuational Mathematics and Statistics. He is a Fellow of both the American Society of Mechanical Engineers (ASME) and the Institute of Electrical and Electronics Engineers (IEEE) and a member of SIAM.

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"An excellent and accessible text that will help all students and scholars to develop a strong review and enable them to outline and analyse the key ideas for their study. The structure of the book is really well thought out and the chapters are written in a way which readers will find helpful and easy to understand. I would highly recommend this book to research students."
Professor Mark Brundrett, Liverpool John Moores University, UK

This step-by-step handbook provides comprehensive and practical guidance on the process of researching a range of relevant literature on a subject, as well as planning and writing a literature review. The book takes a student friendly approach to offer complete novices a simple review of a process which is often central to producing a research study.

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Written by an author with extensive experience of supervising and examining undergraduate, Masters and doctoral dissertations, this book covers the latest trends, such as: RSS feeds, wikis, grey literature, blogs and forms of open access publishing. The book also includes examples of common pitfalls, good practice, key terms and questions to reinforce student learning and reflection.

Succeeding with your Literature Review is relevant in all subject areas and is essential reading for third year undergraduate and postgraduate students.

  • Sales Rank: #158691 in Books
  • Brand: Brand: Open University Press
  • Published on: 2012-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .39" w x 6.00" l, .61 pounds
  • Binding: Paperback
  • 160 pages
Features
  • Used Book in Good Condition

About the Author
Dr Paul Oliver is a former Principal Lecturer in the School of Education and Professional Development, at the University of Huddersfield, UK. He was course leader for the Doctor of Education programme, and also taught widely on the MA programme in education.

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  • Sales Rank: #11926931 in Books
  • Published on: 2008
  • Binding: Paperback
  • 240 pages

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